The MOTS series explores the space where language conceals itself within the image.

Here, words do not reveal themselves immediately: they search for one another, are guessed at, and slowly unfold to those willing to take the time to look.

Letters draw close, brush against each other, intertwine until they become images. Meaning is never immediate; it emerges in the gap, in the tension between forms, in the subtle relationship that binds words together.

This visual research questions the boundary between writing and drawing. Words transform into signs, sentences into compositions, and language becomes a space of sensitive exploration, where seeing precedes reading.